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  • Boll Buggy Black
Boll Buggy Black The polychromed structures of Thomas’ work suggest mutable origin and material, the metal seemingly crushed or formed from other recognisable objects at various viewpoints — the uncoated and corroding steel bursting from its gleaming, chrome body. Inspired by the form of the cotton boll, a seed pod from which the fibre is harvested, Thomas slowly opens a bridge between agriculture, vegetable, and industrial mechanism — exploring the dark history and mechanical strain of the plant (notoriously one of the most resource-dependent crops, a problem classically solved by throwing slavery at the equation) versus its beauty and versatility. http://www.hieronymusobjects.com/images/thumbs/0019237_boll-buggy-black.jpeg
Cor ten steel-Paint Sculpture 12.00 inches 16.75 inches 13.00 inches
Picture of Boll Buggy Black
Picture of Boll Buggy Black
Picture of Boll Buggy Black
Picture of Boll Buggy Black
Picture of Boll Buggy Black
Picture of Boll Buggy Black
Picture of Boll Buggy Black
Picture of Boll Buggy Black
Picture of Boll Buggy Black
Picture of Boll Buggy Black
Picture of Boll Buggy Black
Picture of Boll Buggy Black
Picture of Boll Buggy Black
Picture of Boll Buggy Black
Picture of Boll Buggy Black
Picture of Boll Buggy Black
Picture of Boll Buggy Black

Boll Buggy Black

Manufacturer: Artist: Jeremy Thomas
The polychromed structures of Thomas’ work suggest mutable origin and material, the metal seemingly crushed or formed from other recognisable objects at various viewpoints — the uncoated and corroding steel bursting from its gleaming, chrome body. Inspired by the form of the cotton boll, a seed pod from which the fibre is harvested, Thomas slowly opens a bridge between agriculture, vegetable, and industrial mechanism — exploring the dark history and mechanical strain of the plant (notoriously one of the most resource-dependent crops, a problem classically solved by throwing slavery at the equation) versus its beauty and versatility.
Medium: Cor ten steel-Paint
Dimensions: 16.75x12.00x13.00
Additional Info +
The polychromed structures of Thomas’ work suggest mutable origin and material, the metal seemingly crushed or formed from other recognisable objects at various viewpoints — the uncoated and corroding steel bursting from its gleaming, chrome body. Inspired by the form of the cotton boll, a seed pod from which the fibre is harvested, Thomas slowly opens a bridge between agriculture, vegetable, and industrial mechanism — exploring the dark history and mechanical strain of the plant (notoriously one of the most resource-dependent crops, a problem classically solved by throwing slavery at the equation) versus its beauty and versatility.
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Hieronymus was established as an online gallery in 2014 to showcase the collection of the Richard and Alita Rogers Family Foundation.

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