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  • Circular Plate Caneware
Circular Plate Caneware Early 19th century Wedgwood plate, in Caneware with applied Rosso Antico fruiting vines in relief. The tan-coloured, unglazed stoneware was relatively rarely used for decorative or display objects over the period, more commonly used for cooking utensils or serving dishes — particularly a selection of game pie dishes — as Josiah Wedgwood recognised the ware’s potential for simulating an impression of pastry crust. Provenance: Property of the Saint Louis Art Museum, Sold to benefit the acquisition fund. http://www.hieronymusobjects.art/images/thumbs/0017301_circular-plate-caneware.jpeg
Stoneware Furniture 0.00 inches 0.00 inches 0.00 inches
Picture of Circular Plate Caneware
Picture of Circular Plate Caneware
Picture of Circular Plate Caneware
Picture of Circular Plate Caneware
Picture of Circular Plate Caneware
Picture of Circular Plate Caneware
Picture of Circular Plate Caneware
Picture of Circular Plate Caneware
Picture of Circular Plate Caneware
Picture of Circular Plate Caneware
Picture of Circular Plate Caneware

Circular Plate Caneware

Manufacturer: Artist: Wedgwood
Early 19th century Wedgwood plate, in Caneware with applied Rosso Antico fruiting vines in relief. The tan-coloured, unglazed stoneware was relatively rarely used for decorative or display objects over the period, more commonly used for cooking utensils or serving dishes — particularly a selection of game pie dishes — as Josiah Wedgwood recognised the ware’s potential for simulating an impression of pastry crust. Provenance: Property of the Saint Louis Art Museum, Sold to benefit the acquisition fund.
Medium: Stoneware
Dimensions: 0.00x0.00x0.00
Additional Info +

Early 19th century Wedgwood plate, in Caneware with applied Rosso Antico fruiting vines in relief. The tan-coloured, unglazed stoneware was relatively rarely used for decorative or display objects over the period, more commonly used for cooking utensils or serving dishes — particularly a selection of game pie dishes — as Josiah Wedgwood recognised the ware’s potential for simulating an impression of pastry crust. Provenance: Property of the Saint Louis Art Museum, Sold to benefit the acquisition fund.

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