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Corner Street Cone A remarkable feat of trompe l’oeil casting, ‘Corner Street Cone No. 1’ reflects Hurley’s intrigue for signifiers of human influence in nature, and vice versa, and conveys his skill at sourcing and deftly multiplying objects in slipcast stoneware. The cone holds a role as controller and determiner of spatial interaction, instigating a symbolic psychological reinterpretation of our environment and its boundaries, but the byproducts of transience and portability find themselves questioned in this newly disguised concrete form. http://hieronymusobjects.art/images/thumbs/0018650_corner-street-cone.jpeg
Ceramic Sculpture 25.25 inches 12.50 inches 12.25 inches
Picture of Corner Street Cone
Picture of Corner Street Cone
Picture of Corner Street Cone
Picture of Corner Street Cone
Picture of Corner Street Cone
Picture of Corner Street Cone
Picture of Corner Street Cone
Picture of Corner Street Cone
Picture of Corner Street Cone
Picture of Corner Street Cone
Picture of Corner Street Cone

Corner Street Cone

Manufacturer: Artist: Michael Hurley
A remarkable feat of trompe l’oeil casting, ‘Corner Street Cone No. 1’ reflects Hurley’s intrigue for signifiers of human influence in nature, and vice versa, and conveys his skill at sourcing and deftly multiplying objects in slipcast stoneware. The cone holds a role as controller and determiner of spatial interaction, instigating a symbolic psychological reinterpretation of our environment and its boundaries, but the byproducts of transience and portability find themselves questioned in this newly disguised concrete form.
Medium: Ceramic
Dimensions: 12.50x25.25x12.25
Additional Info +

A remarkable feat of trompe l’oeil casting, ‘Corner Street Cone No. 1’ reflects Hurley’s intrigue for signifiers of human influence in nature, and vice versa, and conveys his skill at sourcing and deftly multiplying objects in slipcast stoneware. The cone holds a role as controller and determiner of spatial interaction, instigating a symbolic psychological reinterpretation of our environment and its boundaries, but the byproducts of transience and portability find themselves questioned in this newly disguised concrete form.

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Hieronymus was established as an online gallery in 2014 to showcase the collection of the Richard and Alita Rogers Family Foundation.

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