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Dango In Japanese, the word “dango” describes a type of dumpling. Kaneko applies this word to his rounded, hand-built, glazed ceramic work. With its voluminous top that softly tapers toward the base, this dango is suggestive of a vase. Unlike a vase, however, it is closed on top. Kaneko treats his ceramic creations as canvasses on which to paint. Here, the dango’s gentle contours and cream-colored glaze contrast with an angular, dark blue-colored mark at the center of the piece. The painterly mark softens as it approaches the base of the sculpture and is evocative of a gapping mouth on an otherwise featureless head. Kaneko works with a team of people to create these works, and he makes use of a massive kiln for firing. http://hieronymusobjects.art/images/thumbs/0019957_dango.jpeg
Stoneware Sculpture 23.00 inches 15.00 inches 9.00 inches
Picture of Dango
Picture of Dango
Picture of Dango
Picture of Dango
Picture of Dango
Picture of Dango
Picture of Dango
Picture of Dango
Picture of Dango

Dango

Manufacturer: Artist: Jun Kaneko
In Japanese, the word “dango” describes a type of dumpling. Kaneko applies this word to his rounded, hand-built, glazed ceramic work. With its voluminous top that softly tapers toward the base, this dango is suggestive of a vase. Unlike a vase, however, it is closed on top. Kaneko treats his ceramic creations as canvasses on which to paint. Here, the dango’s gentle contours and cream-colored glaze contrast with an angular, dark blue-colored mark at the center of the piece. The painterly mark softens as it approaches the base of the sculpture and is evocative of a gapping mouth on an otherwise featureless head. Kaneko works with a team of people to create these works, and he makes use of a massive kiln for firing.
Medium: Stoneware
Dimensions: 15.00x23.00x9.00
Additional Info +

In Japanese, the word “dango” describes a type of dumpling. Kaneko applies this word to his rounded, hand-built, glazed ceramic work. With its voluminous top that softly tapers toward the base, this dango is suggestive of a vase. Unlike a vase, however, it is closed on top. Kaneko treats his ceramic creations as canvasses on which to paint. Here, the dango’s gentle contours and cream-colored glaze contrast with an angular, dark blue-colored mark at the center of the piece. The painterly mark softens as it approaches the base of the sculpture and is evocative of a gapping mouth on an otherwise featureless head. Kaneko works with a team of people to create these works, and he makes use of a massive kiln for firing.

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Hieronymus was established as an online gallery in 2014 to showcase the collection of the Richard and Alita Rogers Family Foundation.

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