Woman with White Cap

Waters’ works are reflections, beginning with reproductions rather than objects as a source — her paintings open an expressive interpretation through slowly shifting shades in a system of processes. The grandeur of Italian Renaissance and the middle-century Dutch, German & English masters influences her figurative technique — Waters often squarely drawing from works of period as a starting point — and ‘Woman with Headress’ has as much in common with Vermeer or Pinakothek as 21st century figurative work.